
One of the most fun things about making your own clothes, to me, is being able to dress them up or down, however you like. It’s not shopping. You are not limited to the presentation on the pattern envelope.
So, I decided to jazz up one of my favourite t-shirt patterns with a bit of beading, worked into the pleats and tucks on the neckline.
This was made with fabric remnants after using the light grey cotton jersey to make two shirts for Frances, so there wasn’t enough left to cut my pattern out with full-length sleeves. I added a bit of width to the shoulders and bust point to deal with the snugness on the short-sleeved yellow one I made in the summer, and shortened the waist by 1.5″. Otherwise it was the same as before.

After marking out the pleat spacing on the neckline, I added bits of Sulky iron-on stabilizer to the reverse side so it could support the beading. Then I just got out my beads and kind of messed around to find an arrangement that seemed like it would work with the fabric and spacing: I wanted something that would be a little bit sparkly but subdued overall so I could wear it with whatever colour I wanted on the bottom.
Once I had an arrangement that seemed like it would work, I marked the centre of each upper pleat, down through the middle in a straight line, marked 3/4″ of an inch from the cut edge (to account for sewing on the facing plus turn-of-cloth), and then marked in the lines for the long beads and the spots for the seed beads. They were sewn down using a single strand of gray cotton embroidery floss to match the shirt. Afterwards, using a single strand of the grey floss again plus a strand of kreinik blending filament in black, I added a star stitch and a french knot to each motif.

Altogether, from measuring to finishing, the beading probably added about four hours to the shirt construction time. But it worked out pretty well, and it’s now a light grey goes-with-anything shirt that manages to be a little bit special at the same time, plus one-of-a-kind.
Next time I decide I want to bead a neckline, I’ll start it more then 3/4″ from the edge. The seam is awfully close to the beads in a few places. (I sewed the facing to the front with a zipper foot so I could get super close without crushing or sewing through them–they’re all glass.) And if you are looking for any bead embellishment inspiration, this is the book I pulled out to get ideas: Bead Embroidery Stitch Samples.
Not a lot of photos on this post. I figure you got the 360 view last time I sewed this one up, and the only thing that’s really changed is that this one is a bit looser, and has beads on the front. So.
The sleeves have a few draglines going on; I think the armhole is possibly a bit on the low side, which drags up the whole sleeve as soon as I bend my shoulder or elbow. It doesn’t bother me enough to keep me from wearing it, though.
Sorry for the complete lack of eye contact in this post. It wasn’t intentional.

I love how this turned out! Also puppy awww
Thanks 🙂
Great shirt. I cannot imagine how much work that would have been. It’s good that Simba looks appreciative!
It really didn’t take very long at all, and I got a few episodes of Farscape in while I marked and stitched. 🙂
Hard to make eye contact when what is possibly the cutest dog in the world is in your lap, I imagine! I like how your beading frames your face; it has a kind of regal effect.
Yeah, he kind of insists on it. The first picture is of him standing on my chest with his head right in my face. “You sat down! It’s to pet me!” Here I am!” But as it really only shows his butt with my arms on either side, I decided not to share it. 😉