Tag Archives: handmade

Burda 8/2016 Skirt 123: An Anti-Winter Project

Winter is a tough season for skirts.

One thinks, on the one hand, “I want to be warm” (or maybe more accurately “I am so fucking sick of being so fucking cold goddammit why is it only February?”). On the other hand, one thinks, “If I wear the same pants again I may set them on fire.” Or, less melodramatically, “Ugh, again.”

But I think this skirt can manage some deep-winter wear without risking frostbite.

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Hey look! It’s one of the Renfrews I made up and didn’t blog. Mini blog-aside: seafoam bamboo jersey I tried to make into a pleated drapey top a few years back and never wore because it didn’t work, so I hacked it apart and made it into something else.

It’s to the knees, meant for a fabric with a bit of thickness and body, and fully lined. This one is made from a thick wool twill. The centre is a double pleat:

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Which is what makes the hem stand out so nicely.

Side-ish.
Side-ish.

The lining is a grass-green bemberg because that’s what I had on hand. I just serged that hem a few inches shorter than the skirt and otherwise left it.

The Back
The Back

The inside of the skirt waistband is made of the rayon twill I used for the drapey skirt; I didn’t want the wool against my skin in case I should ever wear a shirt untucked with this, so I split the waistband into two and added a seam allowance.  Otherwise I made it up as directed in the pattern with no alterations, using standard sizes, and it fits well and looks like it’s supposed to, and is even fairly warm (but no promises that I’ll wear it when it’s not at least near freezing). Overall it’s super simple and you could easily hack pockets into it if you wanted, without affecting the overall fit or line of the skirt.

This pattern is one that I am toying with for the black felted/embroidered fabric I posted about recently.  I need to play around with it a bit and see how it handles pleating before I make up my mind, but would love to hear any thoughts any of you might have.

Burda skirt 11/2015 #105: One Day I’ll Fly Away

I actually ordered a back issue of the magazine just to get this skirt pattern and it still took me a year to make it.

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I love the seam lines on this. I love the way the darts have been rotated into those seams. And I love the way the seamlines work with the godet to shape the skirt.

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I still love all of those things; but I wish I’d chosen a fabric that was a better match for them.

This is a fairly heavy fabric of unknown contents: Is it wool? Is it poly? Who knows? I don’t. It was free and I thought it would make something suitable for a funeral, when I thought I would have a funeral to go to. It is also a bit stiff. That’s not a bad thing necessarily, but it does make the shape of the skirt far more dramatic. And it makes it look like culottes from the front.

Side note: I do not like culottes. I can’t tell you how many times I’ve looked at a pattern over the last few years and thought, “What a cute skirt pattern! Wait … never mind … culottes. Bah.”

And from the back, you get a snazzy tail fin:

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However: there was no chance that I was going to special order a magazine for a particular pattern and then only make it once, even if it had been a spectacular success, which it wasn’t.  So I tried again in a different colour of the same rayon twill I made the It’s Fine dress in:

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Lord it’s dark in that photo. But hey! It’s a much drapier teal version of the same skirt. Rayon twill is about as unlike denim (also a twill, for those of you who don’t sew) as you can imagine: it is soft, drapey, clingy as hell. Just slightly thicker than challis. There’s maybe not much you can see here, but hopefully you can see that it does not look like culottes from the front. Nor does it have a snazzy tail fin from the rear:

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Instead, it drapes, just as it did in the pattern photo.

All around better, except for the fact that the rayon, no matter how low the temperature I used to press, insisted on going shiny at the seams. So frustrating.

At any rate: it’s a great pattern. Easy to put together, fun shape if you get the fabric right. The seam around the zipper is a bit too rounded and I had to take about half an inch off, and sewing around the peak of the x-cross seam is a smidge tricky and doesn’t make quite as obvious an angle as it does in the pictures.

Something you can’t see here is that the gores make nearly a circle skirt at the hem, meaning that if you were to twirl in this you’d get a nice round swish below the knees. I did try for you Dear Readers, but I nearly gave myself a concussion trying to turn a fast circle on the stairs. Not that the photo wouldn’t have been entertaining for non-sewing-related reasons, right?

And just to round out the Holy Trinity of Sewing Blog Photos:

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The side of the first one, complete with full wings.

V1389: Accidentally Underdressed Part II

It took me so long to make up the shirt from this set that not only is this pattern out of print, it’s not even listed on the website anymore. Oops. Also this means that if any of you like and want to make this … you’re out of luck. Sorry.

I actually originally bought the set for the skirt, which has some very cool seam lines on it, but this winter I found myself in need of long-sleeved shirts. Now, if you are like me, the word “need” comes to have a very ambiguous definition for sewing projects. Like: “I ‘need’ to find a jacket pattern to make up the felted black wool I picked up downtown on a whim,” or “I ‘need’ to find a lightweight jersey with a bit of body so I can try that jersey dress from this month’s Burda.” Or, more recently, “I ‘need’ to find some brightly coloured wool crepes so I can make up some skirts like Mia wore in La La Land.” None of these would pass the global-issues sniff test, and I wince a little every time I catch myself thinking anything like them.

However.

All of my previous year’s long-sleeved shirts were loose and drapey. And then last year went and did it’s I’m-2016-I’m-going-to-make-you-cry-uncle that we’ve all enjoyed so much. And I lost my appetite and a bit of weight. So last year’s “drapey” and “loose” became “looks like a five-year-old dressing up in mom’s clothes.” (Along with a few of last year’s pairs of pants, necessitating a new pair of Style Arc Jasmine‘s, but you don’t want to see another one of those, do you? Suffice it to say that it’s grey and it fits.) On a “need” scale this isn’t “I haven’t eaten in three days” but at least in a first world context it is somewhat legitimate.

So, after my recent sequin adventures and a black skirt that is in the blogging queue, and a long-sleeved shirt for my daughter who also has an unaccountable need to put on clothing that fits and is appropriate for school every day, it was time to do something about this. Shirt #1 was Yet Another Renfrew, and again, you don’t need to see another one of those. It is a purpley blue, long-sleeved, and I’ve finally altered the front pattern piece so that it fits properly, which just goes to show that buying a pattern from a company that specializes in patterns for pear shapes is not the smartest thing to do when you are not a pear shape, no matter how nice the pattern is.

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It’s pure coincidence that the colour matches the pattern envelope.

This is basically a raglan-sleeve t-shirt with a very wide neck band and a wide neckline. In terms of construction it is completely uninteresting, except for the neckband which has to be stretched out to its fullest extent while attaching to the shirt in order to lie (mostly) flat when worn. I made this a bit easier on myself by first basting and then serging.

When on the hanger, there are gathers along that seam that largely smooth out when it is stretched out on the body. However I do find that that neckband really wants to contract and it won’t stay as wide as it is supposed to according to the pattern drawing. I also find that some of the gathers remain on the back of the neck, but I don’t much care as that’s covered by hair anyway.

The Back. Gathers not visible, but everything else is.
The Back. Gathers not visible, but everything else is.

Overall it’s a fun pattern with some interesting details that make it a bit different–I mean, check out that side seam:

What looks like a seam on the back is actually the side seam
What looks like a seam on the back is actually the side seam

Such a small thing but a nice touch.

Dear god.
Dear god.

But I somehow doubt people are going to be paying much attention to the side seam because holy hell is it snug. There is nothing left to the imagination. This was supposed to be a shirt for work–and it probably still can be, if worn with a roomy skirt and a cardigan or blazer. Or I could go for broke and wear it with that front-split burda skirt I made in the summer and get myself sent down to HR.

It is a cool pattern, though. I’ll probably make it again, and maybe give myself just a smidge more ease.

Burda 11/2016 Dress 110: It’s Fine

You can see almost nothing about this dress (pattern here) thanks to the print I chose, a rayon twill from Fabricland that is soft, drapey, colourful, easy to sew, and obscures any seam not outlined with a highlighter pen.

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The Acceptable Front

So, in words: shoulder yokes, gathered bodice to a snug waistband both front and back, pleats in the front skirt, gathered bell-shaped sleeves. Like so:

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Or like so:

Still can't see the gathers or pleats, right?
Still can’t see the gathers or pleats, right?

Yeah it’s all pretty well invisible.

It made up just fine and it’s a perfectly ok dress for work, and because it’s rayon, I’ll be able to wear it in the spring, too. But I don’t love it enough to make it again. The print makes the whole thing so impossible to read that the wearer becomes an amorphous blob of paisleyish floral stuff with no details about the garment or the person underneath the garment even remotely visible. It’s practically a caftan.

The Perfectly OK Back
The Perfectly OK Back

The pattern itself works up just fine–everything matches, everything works, it’s not too challenging. It’s not the pattern’s fault that I didn’t like it as much as I thought I would.  If this is something you wanted to make up, I recommend picking a less busy print.

By the way, get used to stair photos for the next little while. We have entered the Cold Grey Bucket of Suck winter period here in S Ontario and I plan on keeping my acquaintance with the outdoors limited to shivering from the front door to the car. Weird shadows and bad light are the name of the game until probably May. Sorry.

The Side. Because it's not a sewing blog post if you don't get all three views, or so I have been told.
The Side. Because it’s not a sewing blog post if you don’t get all three views, or so I have been told.

Winter Dancing Skirt #1: It seemed like a good idea at the time

In one of the September fashion magazines–I forget which one–I saw a picture of a sequined pencil skirt–I forget which designer–that looked like it would work for dancing and/or dating in the winter. Tights, t-shirt, jacket–you’re good to go.

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The Front, in bad light

And so when I was downtown looking for fabrics to make into a dress for a masquerade party, and I saw these sequins

I mean, holy hell. Look at them! Purple blue green teal depending on the light, matte black on the reverse. It’s like mermaid scales.

It’s also heavy.

And expensive.

Plus heavy. I got one yard, that being all I could justify, and then two yards of a cheaper ‘practice’ sequined fabric (that ended up being the masquerade dress. More on that later).

The back of the fabric is a heavy black knit, perfectly opaque, with lots of lengthwise stretch but very little widthwise.

The pattern is based on my skirt sloper. I looked at my pencil skirt patterns and none were quite right. I wanted something fairly dramatically pegged, not too long, without a waistband, and all of my pencil skirt patterns–all three of them–were either too straight, too long, or had too many pieces, which I didn’t want to mess with on account of the sequins.

I traced out the sloper, compared to current measurements, altered slightly, determined the length I wanted (I think it’s 18″), pegged the bottom side seams by about an inch on each piece, and cut.

And then began the true joy of removing sequins from seam allowances, first marked with white thread so it would show up on both sides. I tried to just sew through them but these sequins were having none of it.

The sloper is the result of Suzy Fuhrer’s skirt sloper class on Craftsy, and I just want to say: she gets a lot of rave reviews on those classes but IMO she adds too much ease and she relies too much on “industry standards” for certain measurements. My skirt sloper is based on ignoring her advice on those, and even so, it was loose enough after the first draft that I had to sit down and take out a bunch more sequins so I could take it in a bit more.

I also ended up pegging the centre back seam by about an inch on each side, too, after the first fitting.

Even pegged as it is, and without a slit or vent, I can walk up and down stairs and sit comfortably.

The Side
The Side

The waistband is just a facing of black twill tape. I wanted something tough without any give or stretch that could support the fabric and to which I could attach a hook and eye closure, which is just a smidge tighter than the skirt so that the zipper doesn’t strain and so the skirt stays at my waist.

The skirt itself is just three pieces with darts and a zipper; putting it together out of anything else would have been quick and simple. It took hours longer to remove the sequins than it did to actually sew the skirt. But now it’s done, praise heaven, and I can wear it.

I have enough of the sequined fabric left that I could make the front piece of a simple shirt, and I might. I thought maybe a scout, with sleeves and black from a regular black knit fabric. But not until after I’ve recovered from the tedium of sequin removal.

V1353 Encore: The Three Pounds Dress

I altered the pattern tissue after my first attempt so I wouldn’t have to worry about remembering what needed to be changed, and on the August long weekend here in Ontario, I finally cut out that fabulous rainbow linen, and sewed it up on the Monday holiday.

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And here it is almost November and I’m finally blogging it.

Am I the only sewer out there who persistently underestimates how long it’s going to take to actually sew something up? I had this idea Sunday night: “I’ll spend tomorrow sewing and then I’ll have a dress for Tuesday and salsa dancing!” And this was, technically, almost true, if one extends Monday by 45 minutes or so into Tuesday morning. I started after waking, and barring food and bathroom breaks, kept sewing all day, all through the evening, and into the wee hours of the next day.

The Back, plus a cookie.
The Back, plus a cookie.

But except for the interior tacking stitches of the bodice lining to the bodice, it is done. And I wore it to work on Tuesday and will wear it out salsa dancing.

Every alteration made to the tissue but one was exactly what I needed. The shoulders are just where I want them; the arms don’t gape or bubble anymore; the waistline doesn’t tilt and it sits just above my natural waist.

The Side, with a cake.
The Side, with a cake.

But I shaved off a little more from the waist itself than I should have. There’s lots of seams so it wasn’t hard to do.

Dear Readers, this dress is perfect, so long as I have no plans to breathe or eat.*

Unfortunately, I always have plans to both breathe and eat. Breathing and eating are always high on my list of priorities. I like oxygen, and I like food. So.

I’m calling it the Three Pounds Dress after Regina George in Mean Girls, because this dress would fit just perfectly if I lost three pounds.

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Or so I assume. Given my aforementioned love of food, this 3-lb weight loss seems very unlikely.* Still, in theory, if it were to happen, the waistline of this dress would no longer be painful after consuming a meal. Anyway:

The Front. Pleats hard to see with the print but they are there
The Front. Pleats hard to see with the print but they are there

I LOVE IT.

Unintentionally constricting waist and all. I love the colours, I love the pleats, I love how it swishes when I walk (you’ll have to imagine that part; I have no video footage). It is just the dress I pictured when I bought the linen, which is a very gratifying feeling and makes up for the loss of sensation in my feet. (I kid.) As a kind-of-bonus, the waistline goof does make for a more interesting silhouette.

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I am definitely going to risk losing consciousness and wear it out salsa dancing. If I do faint I have faith that some kind soul will pick me off the dance floor before I am trampled, and in the meantime, it’s going to be fun to twirl in.


*I ended up having a fairly stressful August/September and lost the 3 lbs despite myself, so now I get to breathe even when it is fully done up. Huzzah!

Burda 04/2016 Dress #122: Sheath Dress? and something stuck to the bottom of my shoe

The website says this is meant for jerseys and knits; the magazines says “dress fabrics with or without elastane,” which I take to mean wovens. As I went shopping for fabrics with my phone and not the magazine, I bought a poly jersey, and only figured out that might not have been what they had in mind when it came time to install the zipper–which, as it’s jersey, I skipped with no issues.

At any rate:

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It’s cute, eh?

It was a bit bigger than it should have been, but that might have been the fabric choice. I’d have to make it up again in a proper woven to see how that affects the fit. The neckline is a bit wobbly–I’m not a fan but I see it on the sample photo so my guess is that was intentional. I’d take it out next time though, and probably change it to a deeper scoop.

What the fuck did I step in? Also, The Side
What the fuck did I step in? Also, The Side

Alterations are challenging given the way it’s put together, but I made what I think are my standard alterations.

JFC I just can't get it off! And, The Back.
JFC I just can’t get it off! And, The Back.

The pattern goes together well and it is an interesting and well-thought-out design. The gore is a nice, very swishy touch; but it does alter the line somewhat from a sheath dress in my opinion.

 

Maybe I'll just burn the black shoes ... That's better. Side note: Wearing this exact outfit to work one day about a month ago, walking to my car afterwards, a man was kind enough to tell me that I looked like a god-damned whore. I love humanity.
Maybe I’ll just burn the black shoes … That’s better.
Side note: Wearing this exact outfit to work one day about a month ago, walking to my car afterwards, a man was kind enough to tell me that I looked like a god-damned whore. I love humanity.

A Conversation:

Me: When I told him I wasn’t going to see him again he said “you will always continue to know me.” I thought that was pretty ominous so I told him not to contact me again. He was traveling a lot this summer and I thought that by the time he came back things would have blown over, but instead it was escalating. Just before I went on vacation, for example, a group of us went dancing. He grabbed me and started dancing without asking and, when he saw I was looking pretty miserable (seeing as I was feeling pretty miserable), he said, “It wouldn’t cost you a lot of money to smile, you know.” Then the next day at a dancing class he was there and he got … gropey when it was my turn to dance with him, then afterwards he was telling all kinds of insulting jokes and saying awful things about women to try to provoke me into reacting. I don’t even think he wants to date me, not really. I think he’s just punishing me for saying no.

H: It could be both, really.

Me: I guess … Then a few days later there was another class and he was there again and he was gropey again, and afterwards he was just following me around trying to bully me into a conversation. I’d ignore him and walk away and he’d just follow me around. He wouldn’t stop. So I got fed up and left and he followed me into the parking lot and stood knocking on my driver’s side door while I started up the car and drove away.

H: Are you going to call the police?

Me: I will if I have to. I’m not planning on it yet. I’ve gone through things like this before and in my experience the police are pretty useless. They won’t do anything, they won’t even take a report, until after he’s basically punched you in the face. So, probably not. And besides, they’d only tell me to stop dancing.

H: That’s upsetting.

Me: It is. It’s really very unhelpful. It’s kind of a crap world to be a woman in, isn’t it?

H: Have you thought about getting a gun?

Me: [laughing]

H: Well–I’m South African, so I have different experiences with guns than you do, but I’m not kidding.

Me: Oh. Um, no, I don’t think I’m going to get a gun. I don’t–I’ve told a bunch of people about what’s going on and they’re helping me to enforce some boundaries and distance. I’m going to see how that works out before I–but I’m not going to get a gun.

H: It’s something to think about.

Me: Uh… I mean. I have gone through this before. Eventually they do leave you alone. Like in about six months. They get bored and stop. You just have to not interact, not react, not engage, at all. It’s just getting to that point is a huge pain in the ass.

H: Are you afraid?

Me: … Somewhat. It’s the escalation. But we’ll see in a few weeks, what’s going on then. I wish I had a better radar for this kind of thing. It’s just ridiculous that this keeps happening. I have to be doing something or …. One of the women in my dancing class was telling me that she’s seen him doing this thing when we go out for dinner, where he’ll just pester whatever woman is sitting closest to him to eat a french fry. And she can say no a dozen times and he’ll just keep pushing. He tried it on her once and she just kept saying no, and she said it took him five minutes or so to stop asking. Stupidly of course he tried it on me and I ate the damned french fry. But it seemed like such a small thing so I didn’t even think of it, except that’s probably how he figured out I’d be his next target. And I can’t even say that if someone else tried something like that, that I wouldn’t fall for it again.

H: Yeah, I don’t know either.


Predators do indeed test or “groom” their victims. They intentionally violate boundaries in small ways and wait to see your reaction. Then they up the ante. An example of this could be as simple as insisting on eating pizza on a date if you have expressed not liking it.


The art of “no.”

Let’s pause briefly for some Basic Important Safety Stuff:  “No” is a complete sentence.  If you say “no,” and the other person keeps talking and trying to convince you to go along with whatever it is they want, do what you can to extract yourself from the situation. This person is trying to manipulate you, and you don’t have to let yourself be manipulated.  And if you hear a “no” from someone, the correct response is to back off immediately.  No insults, no whining, no pressure.  Just say “Okay, sorry to hear it” and move away.


 

In real life, being overly persistent is not romantic. It is called harassment. Sure, sometimes a little persistence is necessary to win someone over, but incessant badgering to the point of making a girl uncomfortable is not going to get you anywhere. If a girl smiles politely and says, “That’s very kind, but no thank you,” she is not playing hard to get. She does not want you to “get” her. She is simply not interested.

Perhaps the worst part about persistence is when a guy realizes his defeat, refuses to accept it, and still subjugates a girl to unwanted attention. Let me make this clear: if we reject you, WE. DO. NOT. WANT. TO. HUG. YOU. Don’t try to play the good guy. Don’t act all sweet or ask us to press our bodies against yours. Not only is it humiliating and extremely uncomfortable, but it makes us look like heartless bitches if we say no. We do not want to give you a hug.

Moneta Again (Dancing Dress Part 3)

Cool printed fabrics are hard to pass up, for two reasons.

One: they are cool. That border print–right? When am I going to see that again? And now this very large floral repeat.

In a lovely, beautifully soft and cool bamboo jersey.

Two: Because simple patterns show off fussy fabrics best, making them up is a cinch and yet looks very impressive.

Behold Yet Another Moneta:

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Smiling again. It is clearly the end times.

No darts, no pleats, no shaping; just a t-shirt with an attached gathered skirt. Not only is it easy as sin to put together, the lack of structure means there is no interruption to the print. Huzzah!

I sewed some seam binding into the shoulders and the side seams to help it hold its shape. It’s a lot of fabric and quite heavy so otherwise it stretches out.

The black area between the floral repeats was not large enough to position the entire bodice, so I knew both skirt and bodice would have to have flowers on them. To create a bit of interest and have a solid black waist, I reversed the flowers on the top half.

The Back.
The Back.

The skirt was just gathered; I added clear elastic to the waist after the dress was assembled to help hold the weight. It didn’t work quite as well as I might have hoped but it’s definitely better than without.

The one goof was accidentally cutting one of the pocket pieces in reverse. I went ahead and used it anyway since I figured it’s on the inside and no one would see it … except that it insists on flipping out a bit and making a nice light grey stripe on one hip. I’ll bar-tack it down and see if that helps, and otherwise just be always twitching at that pocket to make sure it isn’t peeking. If that doesn’t work I’ll just cut a narrow strip of black and hand-stitch it close to the opening.

The Side
The Side

Burda 04/2016 Skirt #113B: Accidentally Underdressed

This is the story of a skirt I made for work that I can’t wear to work.

“What a lovely and interesting pencil skirt!” I thought in April when the Burda issue came. “Just right for the office. I’ll keep my eyes peeled for a cool stripe fabric that might work.”

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She’s even at an office in the magazine pictures. What kind of office, I would like to know.

I had a work meeting in Toronto, after which I went to Queen West and found a very cool watercolour-style linen-spandex stripe in orange, green and yellow. Perfect!

Made a test version in a heavier stretch-cotton just to see how it worked. Good thing, as I initially made the front band (under the slit) about half as wide as it was supposed to be, and holy cow was that version indecent.

Phew! Crisis averted. (cue foreboding music)

Cut out and sewed up the stripey version. Tried it on. Fantastic! The stripes are going in the right directions; it mostly fits, though next time I would make it higher in the waist as it’s too low and low-waisted skirts always want to ride up on me to my actual waist. Also a bit loose for such a light-weight and stretchy fabric. If you make this up (and you should! but not for the office) a non-stretchy fabric will work just fine. What with that slit you will not need stretch.

Smiling again. You know this can't end well.
Smiling again. You know this can’t end well.

Got dressed one morning for work. Walked to the kitchen for breakfast.

Holy crap.

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Woops.

That slit opens up all the way to the top, eh? At every step.

Put some emergency stitches in to hold it a bit more closed. Went to work.

Stitches popped out.

Faced awkward conundrum of either acting like I meant to flash the office all day and just owning it, or holding it closed with one hand if I needed to walk anywhere. Very professional.

The Back, slit free.
The Back, slit free.

It’s a great pattern, a fun skirt, definitely different from the usual and if you can find a good stripe to make it up in, well worth the effort. Runs a bit loose so recommend doing flat-pattern measurements to make sure it’ll be snug enough to stay put.

The Stripes, without un/intentional flashing.
The Stripes, without un/intentional flashing.

However.

Don’t wear it to the office.

Date night? Dinner? Dancing? Sure. Absolutely.

But unless you’re aiming for a very special kind of promotion, if you get my drift, not for work.

Woops
If you have any stairs to climb, or take steps more than about 6″ long … and you should see what happens when you sit in it.

B6206: “Almost no one dances sober, unless they happen to be insane” (Dancing Dress #2)

It went like this:

Oh my god is Andrea *smiling*?
Oh my god is Andrea *smiling*?

I wanted to make another V1353 out of this spectacular linen.

I wanted to sew it on the cross grain so that the stripes would run horizontally along the pleated skirt.

I was 20cm short of enough fabric to lay out the skirt pieces in that direction.

I hmmmed. I hawwed. Do I lay it out on the grain? Or no? Cross grain is better. Right? I could go back to the store and get more–I could order more online–but then if there’s a postal strike god knows when it will show up–going downtown for 0.5m of fabric seems silly but it’s the only place I’ll find it–I’ll go downtown.

I went downtown.

I got my 0.5m of linen.

And 6 cuts that I had no intention of buying but couldn’t resist: three bamboo jersey prints for dresses, three tissue-weight rayon jerseys for t-shirts. Did I need them? Define “need.” OK, no, I didn’t need them. But I knew I wasn’t going to see a print like this again:

That flower is about 3' high
That flower is about 3′ high

…plus I need to bulk up my dancing wardrobe. Right? Obviously.

I rifled through the pattern stash looking for something that would accommodate a print this large in one unbroken piece. B6206 did the trick, though even after purchasing four repeats I only had enough to get an unbroken flower on the front, thanks to the width of the hem and the narrowness between the flowers. So the back is not as nice, but that’s ok since I don’t see the back.

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The Side. Plus a bit of the chopped off Back.

The selvedge was so cool I used it as the hem and altered the shape of the hemline and the waist to keep the length relatively even. It’s a bit handkerchiefy even so, but not much, and very worth it for that lovely pink border at the bottom.

It is a super simple pattern, works up very quickly and goes together beautifully. I did my standard pattern adjustments and the whole thing was bang-on. Notches matched up. Neck band was just the right size for the opening. Armholes a smidge gapey in front but nothing anyone can see. Back neckline lies perfectly flat. I did have to sew up the back waist seam about 3/4″ in the middle thanks to that short-waisted thing, but once I did it was just right. I didn’t do the recommended elastic casing–I just sewed clear elastic to the serged seam on the inside and then tacked it up at the waist. It worked though.

The one caveat I have is the length of the skirt. I knocked an inch or so off the pattern piece to account for using the selvedge, and as noted I brought the back up 3/4″–and I’m nearly 5’8″. Even so, the skirt hits the top of my feet when I’m in flats.

The pattern is just four pieces plus the neck band–there’s no darts and nothing fussy so it goes together very quickly. I haven’t seen any reviews of this one yet, which seems unfair, so here you go: if you’re looking for a basic jersey dress pattern that works well without needing major alterations or fixes, highly recommend.